James Ingram - Act Two
Welcome
RSS feed Site Log (December 2024)
Curriculum Vitae and contact details
 Links and Acknowledgements
Retrospective (Preface)
Scene One: Genesis, Prelude to Act One
Scene Two: Machines, Prelude to Act Two
Act One: Clytemnestra (all texts)
Act Two: home
Scene Five: (text)
Compositions
Study 1 (2005)
Study 2 (2010-12)
Study 3 sketch (2011)
Song Six (2013-14)
compositions written before Act Two
remarks about the recordings at this site
Moritz
Assistant Composer
SVG Score Extensions
Assistant Performer
Assistant Performer (online application)
ResidentSynth Host
ResidentSynth Host (online application)
Slur Template Converter
Slur Template Converter (online application)
Krystals 4.0 (2006)
A short introduction to krystals
Archive (Moritz v1, 2005-2011)
Archive (Moritz v2, 2011-2014) 		Writings etc.
The Notation of Time (1985)
Inherited Problems and a Proposed Solution (2002)
A Transcription of Curtis Roads’ Sonal Atoms (2002)
Developing Traditions of Music Notation... (2002)
On Cursors (2018)
1. Multiple synchronizations (Fauré’s Après un rêve)
2. Non-standard (Bathory-Kitsz’s Aurora Cagealis)
On Marcel Duchamp’s Erratum Musical (2019)
Tick-based Timing (2021) In Defence of Literacy —Two Types of Time (2024)
Stockhausen
Examples from some selected scores
A closer look at Bassetsu-Trio
The software I used to typeset music (until 2003)
My Freehand Xtras
On Being Invisible (2008) an interview with Paul Roberts
SOAS Radio Interview (2011) featuring Robin Maconie and myself
Retrospective 2024 (chapter 3)
 GitHub Repositories
Moritz
AssistantPerformerTestSite
ResidentSynthHostTestSite
Slur Template Converter